Oil Painting on a 24" x 24" Linen Panel. Titled: "The Morning Harvest"

The Morning Harvest is coming closer to completion! Fall has been busy and I have been carefully working on this painting in between other projects. I am taking my time and considering each brushstroke.  Follow the progress of this latest original oil painting, inspired by my own chickens and my love of traditional wattle fencing, this 24" × 24" oil painting captures a quiet moment of country life. Follow along as I bring the final details together, with the original painting expected to be available by mid-November, just in time for Christmas!

This Painting is on a 24" x 24" Linen Panel. Titled: "The Morning Harvest"

This is inspired by my very own chickens and my love for Wattle Fencing. I don't have a Wattle Fence but if I had the time, I would certainly undertake making one. I still have quiet a way to go, progress will speed up after I finish her chest, hands, hair and hands! The rest will flow. 

There comes a point in every painting where it doesn't quite look finished—but it finally begins to feel alive. This piece has reached that stage.

The central figure has slowly emerged through layers of warm and cool tones, careful observation, and countless small adjustments. Her face, hands, and the light filtering beneath her sun hat became the emotional anchor for the painting before anything else. I wanted viewers to pause with her—to feel the quiet concentration of an ordinary moment transformed by light.

The surrounding elements are still finding their place. The hens are only partially developed, existing as loose shapes. I actually enjoy this stage because it reveals the structure beneath the finished illusion. Every completed painting begins as a collection of decisions, corrections, and unanswered questions.

The woven wattle fence stretches across the background, providing rhythm and texture without competing with the figure. Behind it, the trees remain soft and atmospheric, allowing the eye to settle naturally on the subject. It's a balancing act between detail and suggestion—knowing where to speak clearly and where to whisper.

One of the things I love most about painting is how light tells the story. The wide-brimmed hat creates a pocket of shade across her face while reflecting warm sunlight underneath its rim. Those subtle shifts in temperature—from golden highlights to cool shadows—give the portrait its sense of depth and quiet intimacy.

As I continue working, the chickens will gain form, the foreground will become more cohesive, and the landscape will receive its final refinements. But I also want to preserve some of the freshness that's visible at this stage. Loose brushwork has an honesty that can disappear if every inch is overworked.

Sharing a painting before it's finished is a little like inviting someone into the studio while the conversation is still unfolding. You see the questions alongside the answers, the revisions alongside the successes.

That's part of the beauty of the process.

The finished painting will tell one story. The work in progress tells another—and both are worth sharing.

Thank you for sharing in my Art Progress! 

Salty Vaughan

For 18 years, my little best friend Salty was by my side through every painting, drawing, and silk-dyed creation. Sadly, he passed away on 02/09/2026, leaving my husband and me heartbroken. Salty had a remarkable, almost human-like intelligence. We miss his playful jokes—like sitting in our spot and actually laughing out loud about it! If I set something on the arm of the couch, he would quickly point to it, so I’d move it and make room for him. He was incredibly vocal, and if he wanted something, he wouldn’t stop barking and trying to talk until he got what he wanted.  I’d ask him to show me, and off he’d go, happily leading the way—usually straight to the refrigerator! I have the fondest memories of this little gentleman, and he will be deeply missed until we meet again.

During this time of mourning, I created a coloring book for children to help them cope with losing a pet. This book was published and is for sale on Amazon Titled: "My Pet in My Heart"

Now, I am back to work on my book and hopefully it will be published soon.

https://a.co/d/07DHi18N

I just finished my first oil painting titled "The StoryTeller." for the book Titled: "The Fairy Knot Adventures". This project excites me because it’s such a great escape from the real world! The book will be truly unique, with illustrations taking center stage on every page. As a child, I always wished books had more artwork—there never seemed to be enough—so I want this book to fill that gap and transport readers into another world where they can enjoy both the story and the art again and again. The book is now complete, and the remaining illustrations will only be revealed inside its pages. Thanks for joining me on this amazing adventure!

Have I got some stories! I am still working on painting the fairy series, but I am throwing in a few paintings from my childhood memories in between! And This Oil Painting Titled: "Cowboy Kite Flying" is one of my favorites! This young boy is enjoying a relaxing afternoon sitting atop his best friend and flying his kite in the late summer wind.  Hoping to get this one finished soon! Stay tuned and make it a wonderful life!

Tammi Vaughan

Artist Combines Classical Training with Imaginative Storytelling to Create Unique Fantasy Oil Paintings Seagrove, NC – June 7, 2025 –

Tammi Vaughan Fine Art announces the launch of an ambitious new body of work featuring fantasy fairies rendered in classical oil painting techniques. This innovative project represents a significant milestone in contemporary fantasy art, merging traditional oil painting mastery with imaginative subject matter drawn from historical fairy folklore and testimonies.

Artistic Innovation Meets Historical Research Tammi Vaughan, a classically trained oil painter specializing in Romanticism and fantasy art, has embarked on a unique artistic journey that challenges conventional portraiture methods. Unlike traditional figure painting that relies on live models, Vaughan's fairy series draws from extensive research into historical fairy accounts, folklore descriptions, and documented testimonies from individuals claiming fairy encounters. "This project pushes the boundaries of imaginative art creation," explains Vaughan. "I'm using historical stories and anatomical descriptions from fairy folklore to create authentic representations of these mythical beings, combining rigorous research with artistic interpretation.

" Technical Mastery and Classical Training Vaughan's artistic foundation is built on study of master painters including Rembrandt, Sargent, David Leffel, and Rosa Bonheur. Currently advancing her skills at the prestigious Tisch Academy under renowned mentor Andrew Tischler, Vaughan brings exceptional technical proficiency to her fantasy subjects. Her primary medium of oil paint on linen canvas allows for the rich, luminous qualities essential to capturing the ethereal nature of fairy subjects. The artist also incorporates silk dye painting techniques, demonstrating versatility across multiple mediums.

Comprehensive Documentation Process Tammi Vaughan Fine Art is documenting the entire creative process through detailed blogging, providing unprecedented insight into fantasy art creation.

The documentation includes: Preliminary sketches and conceptual development Color studies and compositional planning Technical challenges and solutions Reference materials and historical sources High-quality photography of finished works This comprehensive approach positions Tammi Vaughan Fine Art as an educational resource for aspiring fantasy artists and art historians studying contemporary interpretations of mythological subjects.

Artistic Heritage and Influences Vaughan's artistic journey began with childhood inspiration from Gustave Doré's dramatic illustrations, establishing a foundation in narrative-driven art. Her work consistently features themes of strength, grace, and natural beauty, with horses serving as recurring motifs representing power and elegance. The artist's commitment to Romanticism and Western aesthetic traditions provides classical grounding for her fantasy interpretations, creating works that honor both artistic heritage and imaginative storytelling. Industry Recognition and Educational Impact This fairy fantasy series demonstrates Tammi Vaughan Fine Art's position at the forefront of contemporary fantasy painting. By combining rigorous historical research with traditional oil painting techniques, Vaughan creates works that serve both artistic and educational purposes.

The project's documentation methodology makes it valuable for: Art education and technique instruction Fantasy art historical reference Traditional oil painting demonstration Imaginative subject matter development About Tammi Vaughan Fine Art Tammi Vaughan Fine Art specializes in oil paintings featuring Romanticism, Western themes, and fantasy subjects. Known for technical excellence and imaginative storytelling, the studio produces original works that combine classical training with contemporary vision.

Vaughan's expertise in both oil painting and silk dye painting techniques positions her as a versatile artist capable of bringing mythical subjects to life through traditional mediums. The artist's current studies at Tisch Academy under Andrew Tischler's mentorship continue to advance her technical capabilities, ensuring each work meets the highest standards of classical oil painting tradition.

Media Contact For high-resolution images, interview requests, or additional information about the Fantasy Fairy series, contact:

Tammi Vaughan Fine Art Website: www.TammiVaughanFineArt.com

Email: [email protected]

Traditional oil painting techniques applied to fantasy subjects Historical fairy folklore research and artistic interpretation Classical art training and contemporary application The intersection of mythology and fine art Technical challenges in imaginative figure painting About This Release: This press release documents Tammi Vaughan Fine Art's innovative approach to fantasy art creation, combining classical oil painting mastery with imaginative subject matter. The comprehensive documentation and research methodology positions this work as significant in contemporary fantasy art education and historical reference.

In the Artist Studio

New Works

Thank goodness it is finally Spring!! Although I love snow, I am so glad that this past very frigid winter is over. It’s so refreshing to see the flowers blooming and what a great inspiration for painting. I have been busy in the studio and below are three works almost complete. My next painting is going to take quiet a while and I will be posting progress photos soon.

Thank you for viewing and HAPPY SPRING,

Tammi

As an artist color is a very important tool used daily. When painting there are colors chosen, matched, and manipulated to get the best results for what I want to convey to the viewer. This morning, I was enjoying viewing many artworks and artist’s websites and I began contemplating my choice of website colors and the effect these colors have on my viewers. After all, there have been many studies on how colors evoke different feelings and responses from individuals.

I have noticed this especially with my paintings. I love the dark values used in paintings of the old Masters while in reality, I find that these paintings are among my last to sell. Now I’m not saying it is the dark values, it may very well simply be my technique or color choices. I have had people tell me they don’t like the darker paintings. Although we each see things differently, color studies seem to reveal a link between color and its effect on people. What about the value of color and its effect?  

I asked myself just what kind of feelings and responses is my website color scheme evoking?  Thus began my research into color and marketing your products.

During my research, I discovered one commonality and that is when making color choices, it is important to know who your target audience is to convey the right message. I can relate because this is a lot like the considerations one takes when deciding upon the concept for a painting. I have decided that the best approach for me is to think of my website page as one single painting and where I want the viewer’s eye to go. First, I want people to look at my art but not have a difficult time navigating my site. I want viewers to easily find links and information that is important to each work of art. Right now my website’s main color is RED and the value seems quiet bright up against the black I chose for my artwork background thus making it harder for the viewer to focus on the painting. 

According to Dan Green’s article on “http://www.thegreeninternetgroup.com/color-a-critical-marketing-choice” , The color red is known for evoking feelings of  Aggressive, assertive, intense, strength, vitality, life-sustaining, passionate, courageous, insightful, love, passion, danger, warning, excitement, food, impulse, action, adventure, vitality If people are able to see energy, they’d probably see red (pun intended). Red is the color associated with activity, passion, romance, and adventure. This color is the eternal call to action. In design, you’d do very well to use this color if you are offering something exciting and new to your consumers. It tends to make us hungry and has proven particularly effective for selling food and food supplements. – but not a great selection for a diet coach!

I know what I want out of my website and that changes must be made to obtain these goals. I don't want my viewer's pulse rate and heart rate to increase and then they get hungry and leave my site. I want viewers to calmly stay longer on my website and I want the viewer’s eye on my paintings. In conclusion, I need a color that is more calming and my preference is neutral tones so that my art will appear brighter and be the main focus. According to my research, blue is the favorite color here in America and it seems a good acceptable color worldwide. Since I sell my art in many Countries, I need a good color that appeals to a broader audience and does not take away from my work. I don’t know yet what color scheme I will choose, but I cannot wait to see the changes if any on my website analytics. Don’t get me wrong, I know all about statistics and that these color marketing studies are not 100% correct. I do know a little about art and it is true that you guide they eye through color and value to where you want your viewer to look. Oh by the way, I was not able to find any reference to color value and marketing except that higher value colors are found more relaxing. Personally, I find the darker values more relaxing but hey, that’s just me.